![]() ![]() 1940 An Exhibition of Great Paintings in Aid of the Canadian Red Cross and of Small Pictures by Members of the Ontario Society of Artists, Art Gallery of Toronto, 1940, no. 1938 The Precursors of Modern Art, Rochester Memorial Art Gallery, 1938, no. 1936 The Twentieth Anniversary Exhibition of the Cleveland Museum of Art: The Official Art Exhibit of the Great Lakes Exposition, Cleveland Museum of Art, 1936, no. 1936 A Survey of French Painting, Carnegie Institute, Pittsburgh, 1936, no. 1935 Independent Painters of Nineteenth Century Paris, Museum of Fine Arts, Paris, 1935, no. 1933 A Century of Progress Exhibition of Paintings and Sculpture, The Art Institute of Chicago, 1933, no. 1913 Loan Exhibition: paintings by Edouard Manet, Durand-Ruel Galleries, New York, 26 November - 13 December 1913, no. 1895 Exposition of Paintings by Edouard Manet, Durand-Ruel Galleries, New York, 1895, no. 1884 Exposition des Oeuvres de Edouard Manet, Ecole Nationale des Beaux-Arts, Paris, 1884, no. Although Manet never chose to associate himself officially with the impressionist group, this painting’s scene of modern life, as well as its loose, abstract effects, show the influence of the younger artists on his work.Įxhibition History 1874 Salon of 1874, Paris, no. Reviewers were critical of the unfinished appearance of The Railway and that the rail station itself was not well–defined in the picture. Of the four, only two were accepted, The Railway and a watercolor. Manet submitted four works to the Paris Salon of 1874. The composition is a complex contrapuntal apposition of the two figures: one clad in a white dress trimmed with a blue bow and the other dressed in dark blue trimmed with white one with hair bound by a narrow black ribbon and the other with flowing tresses under a black hat and one a child standing and looking at anonymous trains and buildings in the background and the other a seated adult staring forward to confront viewers directly. The woman is Victorine Meurent, Manet's favorite model in the 1860s, and the child was the daughter of a fellow painter who allowed Manet to use his garden to create The Railway. Confined to a narrow space backed by the black bars of an iron fence and isolated by clouds of steam sent up from a train passing below, Manet's two models are enigmatic presences. Advances in industrial technology and train travel, intrinsic to most contemporary depictions of the site, remain in Manet's painting the almost invisible background for a genre depiction of a woman and child. The Gare Saint–Lazare, in 1873 the largest and busiest train station in Paris, is unseen in this painting. A few details can be made out beyond the fence, including a stone-gray building with two wooden doors to our left and a bridge along the right edge. A plume of steam fills much of the space beyond the black fence, which spans the width of the painting and extends off the top edge. A bunch of green grapes lies on the low wall to our right. She raises her left hand to grasp the bar of the fence she faces. The girl’s blond hair is pulled up and tied with a black ribbon. The girl wears a sleeveless white, knee-length dress belted with a marine-blue sash tied in a large bow at her back. Her navy-blue dress is accented with white piping on the skirt, collar, and sleeves, and has three large, white buttons down the front and her black hat is adorned with two red poppies and a daisy. Her long auburn hair falls down over her shoulders. The woman looks directly at us with dark eyes as she holds an open book, a closed red fan, and a sleeping brown and white puppy in her lap. She’s clearly been eating her protein and working out.To our left, a young woman sits facing us on a low stone wall at the base of the vertical, black bars of an iron fence and a young girl stands facing away from us to our right in this horizontal painting. She’s got a super fit body with thick thighs and a big ass. Then to sum it all up, her ass is insane. Like, her body is so fit and tiny, but her tits are huge. I didn’t know tits could be as good as they are on her. I mean, I’ve got a thing for blondes (like many men I’m sure) but hers just looks so great on her. Probably the first thing to note about Iliza is her blonde hair. And these photos just make us even more lustful for her. Like funny and insanely lustful? Someone blessed you with some good genes. Since then, she has taken over television with her funniness and, let’s be honest, her extremely good looks. Super funny and super lustful, this chick won Last Comic Standing in 2008, making her, hands down, one of the funniest women in Hollywood. Now this chicks name “Iliza Shlesinger ass” is a total mouthful, but we know you’ve heard of her. ![]()
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